“Axis Gallery made New York history by integrating African art, old and new, into the fabric of the contemporary Chelsea gallery scene.”
Holland Cotter, The New York Times, May 22, 2006

“Axis Gallery made New York history by integrating African art, old and new, into the fabric of the contemporary Chelsea gallery scene.”
Holland Cotter, The New York Times, May 22, 2006
Time Out, New York April 23-29, 2009. ‘Own this City: Passport NY: South Africa’ by Shakthi Jothianandan
The New York Times, Art Review, Monday May 21, 2007, ‘Global Art: Talismans, a Phantom and a King’ by Holland Cotter.
ArtThrob, ‘Ledelle Moe shows at Axis,’ November 6, 2006. By Natasha Becker
The New York Times, Art Review, Monday May 22, 2006, ‘A Global Smorgasbord of Wonders of the Eye’ by Holland Cotter.
The Villager, May 10-16, 2006. ‘Mahen Bonetti, ambassador of African film' By Judith Stiles
Art & Auction, May 2006. ‘Shifts’ by Elizabeth Kley. p 146.
The New York Times, Art in Review, Friday, February 10, 2006. ‘Jo Smail’ by Holland Cotter
Time Out, New York, February 9-15, 2006. ‘New Beginnings’ by Bridget Goodbody
The New York Times, Art in Review, Friday, December, 13, 2005. ‘When Fabric is where culture meets style.’ By Margo Jefferson
The New York Times, Art in Review, Friday, November 25, 2005. ‘Visions of a continent that is rich with life.' By Holland Cotter
The New York Times, Art in Review, Friday, May 13, 2005. ‘Receptacle: African Container’s’ by Roberta Smith
The New York Times, Art in Review, Friday, March 25, 2005. 'Imprints: Works on Paper.' By Holland Cotter
The New York Times, Art in Review, Friday, September 17, 2045. ‘Clinton Fein: Warning.' By Ken Johnson
The New York Times, Art in Review, Friday, February 13, 2004. 'City and Country' by Holland Cotter
The New York Times, Art in Review, Friday, January 2, 2004. 'Ndebele' by Ken Johnson
Nka: Journal of Contemporary Art, Spring/Summer 2003, p100-101. 'CON/TEXT + I.D./OLOGY' by Laurie Ann Farrell
Time Out, New York, March 20-27, 2003. 'Circumcised, Circumscribed' by Barbara Pollock
The New York Times, Weekend: Fine Arts/Leisure, Art Review, Friday, December 13, 2002. 'Vessel' by Roberta Smith
The New York Times, Weekend: Fine Arts/Leisure, Art Review, Friday, May 10, 2002. 'A Profusion of Painting, Very Much Alive.' By Roberta Smith
The Villager, Feb. 13, 2002. 'Photo shows look differently at life amid violence.' By Dominique Herman
The New York Times, Sunday, February 17, 2002. 'Shooting Resistance: South African Photography 1976-1994.' By Holland Cotter
The New York Times, January 18, 2002, Weekend: Fine Arts Leisure: Art in Review 'Dance in Light: Xhosa Textiles and Beadwork.' By Roberta Smith
The New York Times, Weekend: Fine Arts Leisure, Friday, October 12, 2001 Page: E37, Art in Review, 'Berni Searle' by Roberta Smith
ARTnews, September, 2001 Page: 132. ‘The New look of Feminism.’ By Barbara Pollack
The New York Times. Weekend: Fine Arts Leisure, June 2001, Page E31. 'Safari Through Troves Of African Wonders A legendary collector's legacy is lovingly presented at his museum In Brooklyn and Chelsea.' By Holland Cotter
The New York Times, Friday, June 1, 2001, p1. ‘As Chelsea Gallery District Expands, a Host of Visions Rush’ by Roberta Smith
Artnet.com Review, Magazine- Into Africa, 2001. Into Africa: ‘Zulu beads at the Axis Gallery’ by Joy Garnett
The New York Times: Weekend: Fine Arts Leisure, Art in Review, Friday, April 13, 2001. 'Jürgen Schadeberg, 'Drum Beat, South Africa', 1950-1994' by Holland Cotter








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